SFU Galleries Blog 2016
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REVIEW: Borrowed Lady: Natural and Constructed Signification By Kayla Elderton
December 22, 2016 -
TALK: M茅lanie Bouteloup, Director of B茅tonsalon, Paris By Kayla Elderton
DECEMBER 20, 2016 -
RESEARCH: In Search of a Name By Oscar Sanchez
December 2, 2016 -
REVIEW: Slow Motion: Geologic Processes and the University in Andreas Bunte鈥檚 Erosion by Oscar Alfonso Lira Sanchez
November 4, 2016 -
REVIEW: Bright Lights, Hopeless Return: Marianne Nicolson's Oh How I Long For Home By Kayla Elderton
November 2, 2016 -
REVIEW: Sabine Bitter and Helmut Weber's The Templeton Five Affair, March 1967 By Barbara Matthews
April 29, 2016 -
REVIEW: The Mimicry of Body, Form and Craft: Allison Hrabluik's The Splits By Daniella Donati
April 15, 2016 -
REVIEW: Pulsating Resilience: Releasing Motion in Dana Claxton's Uplifting By Vanessa Grondin
March 31, 2016 -
EVENT: Intertextual Reading Series By Weiyi Chang
March 1, 2016 -
RESEARCH: Entablature XA (1976) in Alex Morrison鈥檚 exhibition Phantoms of a Utopian Will By Jordan Lemoine
January 29, 2016